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                        <loc>https://nimnajedithja.com/publications</loc>
            
            
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        </url>
            <url>
                        <loc>https://nimnajedithja.com/terug-naar-jij-en-ik</loc>
            
            
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                                            <image:caption>First inner book, matte white paper, left-aligned lines, titled &lt;i&gt;‘Terug naar jij en ik’&lt;/i&gt;. Polarising language is highlighted in yellow; the referenced sources present opposing perspectives.</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/E2315527533822183186448049842374/terugnaarjijenikbinnenzijde1.png</image:loc>
                                            <image:caption>Second inner book, glossy yellow paper, right-aligned lines, titled &lt;i&gt;‘Terug naar jij en ik’&lt;/i&gt;. Polarising language is highlighted in white; the referenced sources present opposing perspectives</image:caption>
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                                            <image:caption>&lt;br /&gt;&lt;br /&gt;
ABOUT THE BOOK&lt;br /&gt;
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“Language creates connection, but it can also divide.&lt;br /&gt;In newspapers and media, groups are often separated by seemingly innocent words like &amp;#x22;them&amp;#x22; and &amp;#x22;us.&amp;#x22; Narratives arise in which the other is positioned against us. Gradually, invisible lines begin to form between groups, viewpoints, and people. This phenomenon is called polarisation, and it is present everywhere. Polarisation deepens divisions, creates enemies, and sets groups against each other. It causes us to listen less and judge more, making mutual understanding harder to achieve. And yet, there is another side to it: polarisation can reveal differences, bring injustices to light, and introduce new perspectives. But that only happens if we choose to listen and to connect. &lt;br /&gt;&lt;br /&gt;
“Back to You and Me” consists of two separate book contents. Each one tells a different story, based on newspaper texts. Through this, I aim to show how language subtly draws dividing lines. The way the books are bound or rather how they are not bound symbolises how perspectives in our society often remain disconnected. It reflects the gap that forms when we don’t look beyond our own point of view. I believe we need to return to “I” and “you”: to see each other again as individuals, apart from generalisations. How do we tell the whole story? The answer lies in our own hands”.&lt;br /&gt;&lt;br /&gt;
[Translation of letter written for ‘terug naar jij en ik’]
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        </url>
            <url>
                        <loc>https://nimnajedithja.com/lockk</loc>
            
            
            <lastmod>2025-11-17T15:18:53+00:00</lastmod>
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                                            <image:caption>&lt;br /&gt;
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                                            <image:caption>&lt;br /&gt;
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                Introducing the first Pocket Magazine dedicated to &amp;#x27;Locks.&amp;#x27; Just like the small                             objects it explores everything that fits in your pocket. This compact magazine is                        pocket-sized too. Perfectly portable, endlessly curious.&lt;br /&gt;
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                                            <image:caption>&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;
                ABOUT THE PUBLICATION&lt;br /&gt;
              &lt;i&gt; Issue One: &amp;#x22;Lock&amp;#x22;&lt;/i&gt; is a collaborative work with Britt Hoetmeter, Camille Richardson,                 and Anika Wertwijn. Together, we explored the many dimensions of the lock—not                     just as a tool for safety, but also as a symbol of restriction, secrecy, and distance.&lt;br /&gt;                We looked into themes such as lock picking, decorative locks, coded mechanisms,                  prisons, and even human locks. This magazines includes photographs, articles,                         artworks, fun guides to pick a lock, diary letters and more. </image:caption>
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        </url>
            <url>
                        <loc>https://nimnajedithja.com/onlogisch</loc>
            
            
            <lastmod>2025-11-17T15:18:53+00:00</lastmod>
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                                            <image:caption>&lt;br /&gt;&lt;br /&gt;
ABOUT THE BOOK &lt;br /&gt;“&lt;i&gt;Unlogical&lt;/i&gt;” is a playful book about grammatical gender in Dutch. Like in French, nouns in Dutch have a gender: masculine, feminine, or neuter. I always found this strange, and even after researching, it still didn’t make much sense. That explains the title &lt;i&gt;Unlogical&lt;/i&gt;. Most people don’t  know the correct gender of many words. I collected various nouns and spread them typographically across the book. Readers can guess the gender, then check the small symbol at the bottom of each page for the answer. The key at the end explains what each symbol means. The design is simple, but the idea is a bit more complex, just like the topic for me. The book is made from cardboard pages, like a children’s book.”&lt;br /&gt;
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        </url>
            <url>
                        <loc>https://nimnajedithja.com/john316</loc>
            
            
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                    <image:loc>https://freight.cargo.site/t/original/i/M2366145843997847163966580926662/Introductie.png</image:loc>
                                            <image:caption>ABOUT THE PUBLICATION &lt;br /&gt;&lt;i&gt;“John 3:16”&lt;/i&gt; is a very personal small booklet I made to showcase one of my fascinations: my belief. Religion, in general, is something that really inspires me . The idea of seeing and believing in something without it being proven is a deeply personal feeling. That’s what I wanted to capture in this work.&lt;br /&gt;
&lt;br /&gt;
John 3:16 is a Bible verse written in the Bible. This booklet is about visualising, through speech and image, what religion holds for me: a source of hope, love, and belonging. I want to shine a light on my religion and being a female Christian even though I know there are a lot of misconceptions. Through this work, I try to break stereotypes and truly show what my faith means to me and how I personally believe. It also reflects on how religion takes shape in today’s world, where it often seems outdated.&lt;br /&gt;
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/P2366145844016293908040290478278/kaft.png</image:loc>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/T2366145843979400419892871375046/index.png</image:loc>
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        </url>
            <url>
                        <loc>https://nimnajedithja.com/groenterijst</loc>
            
            
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E2340736668551495325578709772486/groenterijst-de-map.png</image:loc>
                                            <image:caption>ABOUT THE PUBLICATION &lt;br /&gt;&lt;i&gt;&lt;b&gt;&amp;#x22;Groenterijst&amp;#x22;&lt;/b&gt;&lt;/i&gt; is a map that reconnects me to my roots in Sri Lanka.&lt;br /&gt;I visited the country once, and during that journey, we explored many places across the island.&lt;br /&gt;In each region, we tasted a variety of local dishes—meals that left a lasting impression on me.&lt;br /&gt;These vivid food memories inspired me to create a map that links the dishes I ate to the locations &lt;br /&gt;
where I experienced them. The map is divided into four A3 posters. On the back of each poster is &lt;br /&gt;
a featured dish, including a recipe and a personal memory tied to it.&lt;br /&gt;The front displays a segment of the map, along with photos from the trip and a legend &lt;br /&gt;
indicating the region’s agricultural use and economic activity.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;“Sharing meals, laughing, and cooking together: swimming in the Indian Ocean.&lt;br /&gt;Exploring local markets and street food stalls are some of the most memorable moments&lt;br /&gt;from my journey to my father’s homeland, Sri Lanka. To this day, Sinhalese cuisine plays&lt;br /&gt;an important role in my life—along with meeting family members during that visit.&lt;br /&gt;
This map is meant to document my travel route, focused solely on the Sinhalese kitchen&lt;br /&gt;and its culinary traditions, as a story of memories. It speaks of how food brings people&lt;br /&gt;together, of the history behind each dish, and of the deep longing for familiar flavors&lt;br /&gt;and culture. It is a deep dive into the rich dishes of Sri Lankan cuisine and the people who prepare them.&lt;br /&gt;
I believe many can relate to the desire to preserve memories. But this work is also for anyone&lt;br /&gt;who is simply curious about the island’s cuisine, its food, and its customs.”&lt;br /&gt;
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[Translation of the introduction text on the front of the sack ’]&lt;br /&gt;
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/X2340754723818766302866221377734/groenterijstvouwvel.png</image:loc>
                                            <image:caption>                    Experimental folding sheet created during the development of the final map ‘Groenterijst’, offering a                                 glimpse into                             how I perceive the land. Unfolded to reveal a vibrant collage&lt;br /&gt;
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Y2340949358016478926738368571590/handenvouwvel.png</image:loc>
                                            <image:caption>                      Experimental folding sheet created during the development of the final map ‘Groenterijst’, offering a glimpse into how I envision the culture.&lt;br /&gt;                      Turned inside out to reveal a photograph
</image:caption>
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        </url>
            <url>
                        <loc>https://nimnajedithja.com/10-jaar-hard-werken-booklet</loc>
            
            
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/R2323538699507350752722103380166/balderen-boek.png</image:loc>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/T2323538699525797496795812931782/new-insightrb.png</image:loc>
                                            <image:caption>&lt;br /&gt;
ABOUT THE BOOKLET&lt;br /&gt;&lt;i&gt;&lt;b&gt;‘Tien jaar hard werken’&lt;/b&gt;&lt;/i&gt; (&lt;i&gt;‘Ten Years of Hard Work’&lt;/i&gt;) is a booklet I created following a conversation with influential and award winning designer Renate Boere.&lt;br /&gt;The interview focuses on what it means to become a designer today, as well as in the early days of her own career. We spoke about her perspective on design, her working methods, and the journey of building a creative practice. It also includes a lot  images of her &lt;br /&gt;
own work. &lt;br /&gt;
&lt;br /&gt;
The booklet shares valuable insights and practical advice for aspiring designers.&lt;br /&gt;The title refers to a quote from Renate herself, highlighting the reality that becoming a successful and ambitious designer requires perseverance. She described how it took her ten years of continuous hard work to establish herself in the design world.&lt;br /&gt;
&lt;br /&gt;
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                    <image:loc>https://freight.cargo.site/t/original/i/H2323538699544244240869522483398/newwwwkaftdriekhoek_.png</image:loc>
                                            <image:caption>&lt;br /&gt;
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                    <image:loc>https://freight.cargo.site/t/original/i/M2323551478821349208340757293254/rbbovenkant-new.png</image:loc>
                                            <image:caption>&lt;br /&gt;
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&lt;br /&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L2323577755470412444648652220614/blauwbladzijde.png</image:loc>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/H2341122181097593445689747384518/rbboekpaginas.png</image:loc>
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        </url>
            <url>
                        <loc>https://nimnajedithja.com/maar-het-kon-erger</loc>
            
            
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/B2569824337570458442832879626438/30d013d0-3630-4454-875b-3994fc05fda7.JPG</image:loc>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/D2569824440613970838574434953414/df224a69-9ee0-4e1a-bb05-43a91141b477.JPG</image:loc>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E2569824741000751334860773468358/32bd9c10-1145-463b-a9c7-7b3041491220.JPG</image:loc>
                                            <image:caption>ABOUT THE INSTALLATION &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;Livia Dietsche, Jedithja Pandithakoralage, &lt;br /&gt;Lisa Schiemann, Anika Wertwijn &lt;br /&gt;&lt;br /&gt;
“Maar het kon erger  (But It Could Be Worse)” is an installation that brings together women&amp;#x27;s experiences. The banners display testimonies of transgressive behavior, collected by the creators through, among other methods, anonymous calls for submissions within their community. Often, these incidents fall into what is referred to as a ‘grey area.’ It might be a sexist joke, an unwanted touch, or an advance made without consent. These are experiences that often go unnoticed or unspoken—at least at first. This installation provides a platform for these kinds of stories, the use of paper symbolizing the vulnerability of bodies, boundaries, and emotions. &lt;br /&gt;The quotes remind us that the intimidation of women is all around us. Every incident is one too many. Step by step, the grey area becomes darker, until we find ourselves asking, ‘How could this have happened?’.&lt;br /&gt;
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/H2645246766684889396252267325638/fotoAG2.png</image:loc>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/N2645246766647995908104848222406/bewerktefotoAG.png</image:loc>
                                            <image:caption>Made in assigment of the exposition ‘Resourceful’ in AG - Ruimte voor nieuwe kunst en media July 2025. &lt;h1&gt;
&lt;/h1&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/R2645280716755212182038314821830/bewerktefotoAG4.png</image:loc>
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        </url>
            <url>
                        <loc>https://nimnajedithja.com/mosaic-of</loc>
            
            
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/B2323271360068862517045308500166/beeldmozaikachterkant.png</image:loc>
                                            <image:caption>Front side of the blanket,  filled with faces.</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L2323271360087309261119018051782/beeldmozaiks.png</image:loc>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/C2328334544702975020381946325190/kleedjeopgerold.png</image:loc>
                                            <image:caption>ABOUT THE  SOWN BLANKET&lt;i&gt; &lt;br /&gt;
&lt;b&gt;“I’m a Mosaic of”&lt;/b&gt;&lt;/i&gt; is a blanket filled with the presence of the most loving and caring women in my life—my cousins and three sisters. The design resembles a mosaic: a portrait of myself composed of many different faces and colors, each representing a unique person. The material, texture, and hues reflect the individual character and essence of each woman.&lt;br /&gt;
&lt;br /&gt;
On the backside, the faces disappear, and replaced by distinctive patterns that each  symbolizing a person through form. Another added layer is scent: the blanket carries various aromas, each chosen to express a different personality.</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/X2339500318787569795730545912006/kleedmozaik.png</image:loc>
                                            <image:caption>Back side of the blanket, filled with patterns. </image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Z2339570175943294147148971845830/opgerold-kleedje.png</image:loc>
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        </url>
            <url>
                        <loc>https://nimnajedithja.com/insect-evolution</loc>
            
            
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                    <image:loc>https://freight.cargo.site/t/original/i/Z2323242893957298428077022718150/experimentbeatles1havo5.png</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/V2323242894012638660298151372998/experimentbeatles2hvo52.png</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/M2323242893975745172150732269766/experimentbeatles1havo52.png</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/N2323242893920404939929603614918/eindwerkhavo5kubv.png</image:loc>
                                            <image:caption>&lt;span class=&quot;caption-2&quot;&gt;ABOUT THE INSTALLATION&lt;br /&gt;
&lt;i&gt;&lt;b&gt;“Insect Evolution”&lt;/b&gt;&lt;/i&gt; is a mixed-media installation created for a 2022 exhibition on the theme of insects. The work combines analog textures and digital projection to explore the overlooked beauty of insect anatomy. Using materials inspired by the surfaces of various species, I constructed a fictional insect by merging different parts into a single, hybrid form. A projected spider adds a digital dimension and animated movement.&lt;br /&gt;
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The piece invites viewers to reconsider their perceptions of insects to stimulate the discomfort to appreciation. &lt;/span&gt;
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        </url>
            <url>
                        <loc>https://nimnajedithja.com/coderen-medium-als-boodschap</loc>
            
            
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                    <image:loc>https://freight.cargo.site/t/original/i/Z2322893837047430393499299948742/portal-slangen.png</image:loc>
                                            <image:caption>&lt;span class=&quot;caption-2&quot;&gt;Design also made in processing different version of design 1.2, by altering the code transforming it into snake like lines (1.3)&lt;/span&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/L2328234646655591751484522703046/heerkocodeer2.png</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/E2328234646674038495558232254662/heerkocodeer3.png</image:loc>
                                            <image:caption>&lt;span class=&quot;caption-2&quot;&gt;ABOUT THE DESIGN&lt;br /&gt;&lt;i&gt;&lt;b&gt;&amp;#x22;A Thousand Lines&amp;#x22;&lt;/b&gt;&lt;/i&gt; is a physical design I created using JavaScript code. It consists of countless intricate lines, something that would be extremely labor-intensive to achieve by hand. After adjusting the design to allow more space for light to pass through, I used a laser cutter to etch it into neon yellow perspex leaving a complex design that showcases the thousand lines trough the use of light. &lt;/span&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/S2328234646637145007410813151430/heerkocodeer1-Hersteld.png</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/N2328243411626038374577973045446/abstract-round.png</image:loc>
                                            <image:caption>&lt;span class=&quot;caption-2&quot;&gt;Design made through processing, experimenting with circulation and amounts of lines (1.1)&lt;/span&gt;&lt;br /&gt;

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                    <image:loc>https://freight.cargo.site/t/original/i/H2328260895413177948343575587014/mandala-02.png</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/I2328260895394731204269866035398/mandala-01.png</image:loc>
                                            <image:caption>&lt;span class=&quot;caption-2&quot;&gt;Design also made in processing different version of design 1.1 , by altering the code (1.2)&lt;/span&gt;</image:caption>
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        </url>
            <url>
                        <loc>https://nimnajedithja.com/home-is-where-the-violence-is</loc>
            
            
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                    <image:loc>https://freight.cargo.site/t/original/i/S2320262591517401591243581237446/paperhouse2.png</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/M2320262591572741823464709892294/paperhouse3d4.png</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/V2320262591498954847169871685830/paperhouse1.png</image:loc>
                                            <image:caption>&lt;br /&gt;
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                    <image:loc>https://freight.cargo.site/t/original/i/W2320262591609635311612128995526/papierenhuis3.png</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/P2320262591591188567538419443910/paperhouse5.png</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/Q2320262591554295079391000340678/paperhouse3.png</image:loc>
                                            <image:caption>&lt;br /&gt;&lt;br /&gt;
&lt;span class=&quot;caption&quot;&gt;ABOUT THE PAPER HOUSE &lt;br /&gt;&lt;i&gt;
&lt;b&gt;&amp;#x22;Home is Where the Violence Is&amp;#x22;&lt;/b&gt;&lt;/i&gt; is a work I made through my research into sources related to femicide and violence against women.&lt;br /&gt;Throughout this process, I discovered that domestic violence remains alarmingly prevalent. Much of this violence happens behind closed doors, in the very place where one should feel most safe. In reality, home is one of the most dangerous places a woman can be.&lt;br /&gt;
&lt;br /&gt;
The maquette is made of paper as a choice to reflect the fragility of life, of people, and of the spaces we inhabit. Upon closer inspection, you’ll notice tears, fractures, and holes, marks of damage that are nearly impossible to restore. These details speak to the quiet and unseen devastation that happens in the comfort of home.&lt;/span&gt;&lt;br /&gt;
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                    <image:loc>https://freight.cargo.site/t/original/i/A2320262591535848335317290789062/paperhouse2d.png</image:loc>
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        </url>
            <url>
                        <loc>https://nimnajedithja.com/about</loc>
            
            
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        </url>
            <url>
                        <loc>https://nimnajedithja.com/contact</loc>
            
            
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        </url>
            <url>
                        <loc>https://nimnajedithja.com/nav---desktop</loc>
            
            
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                        <loc>https://nimnajedithja.com/nav---mobile</loc>
            
            
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